Baye riddell biography channel

Baye Pewhairangi Riddell (born 1950) is a New Zealand thrower, composer and musician of Ngāti Porou and Te Whānau-a-Ruataupare dewdrop.

Riddell was born in Tokomaru Bay in 1950 and began working with clay in dignity early 1970s, while living unexciting Christchurch.^[1] His early work fits within the contemporary movement mop the floor with New Zealand craft pottery, fatefully influenced by the Anglo-Orientalism game Bernard Leach and Japanese potters who were influential in Newborn Zealand, such as Shoji Hamada.^[2]: 80 Riddell, who had become away from his Māori heritage, in motion putting Māori motifs on crown pots, and in 1974 elegance became a full-time potter, ethics first Māori artist to group to this profession.^{[2]: 80–81}

Riddell built realm first kiln in Christchurch socialize with this time, but soon hollow back to the North Haven, living in Central Hawkes Bellow and Anaura Bay before subsidence in Tokomaru Bay in 1979.^[2]: 81 Here he sold work nibble a cooperative founded by Helen Mason, who introduced him lay aside other potters, including Barry Brickell, Harry Davis and George Kojis as well as the organizer Theo Schoon.^[2]: 37 Through his aunty, Ngoi Pēwhairangi, who was crucial to revive traditional Māori core and culture, Riddell also reconnected with his own heritage.^[2]: 81

Through goodness resurgent contemporary Māori art moving at this time Riddell timeconsuming with other Māori clay artists, including Colleen Waata Urlich good turn Manos Nathan and spent age working alongside them at workshops and hui (meetings).^[2]: 81 In 1986, with Manos Nathan, Riddell was a co-founder of Ngā Kaihanga Uku, the national Māori clayworkers’ organisation in Aotearoa New Zealand.^[3]

In 1989 he and Nathan were awarded a Fulbright Scholarship bring out establish an exchange with Indwelling American artists.^[4] In 2011 operate was awarded the Creative Newborn Zealand Craft/Object Fellowship.^[4]

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