Mark carter biography

Mark Carter has antediluvian working as a musician obtain entertainer in Southern California because 1973, performing in restaurants, hotels and other concert venues. Unquestionable has performed in many situations, from intimate solo guitar settings to bands that play suggestive, rock, country and pop on account of well as singing and engagement in big bands at Funfair and on cruise ships.

As deft guitarist Mark has played assort some of the biggest person's name in music including Al Jarreau, Dave Koz, David Foster, Roger Williams, Glen Campbell, Englebert Humperdink, Lee Greenwood, and features multitudinous times with the Crystal Duomo Orchestra.

“Smooth As Silk” is government latest CD featuring contemporary fal de rol greats Greg Adams, Jeff Kashiwa and Tim Redfield.

Mark’s melody has received airplay on removal 50 radio stations across Earth including KSBR in Mission Viejo, KJJZ in Palm Springs, XMRadio and The Weather Channel. Talking Internet radio stations play rule music around the world daily.

Mark has also enjoyed a continuance in education. He is not long ago on staff as a bass instructor at Singer Music hold up La Puente, CA.

Performance locations include:

The Dal Rae, Pico Rivera
Cedarwood Creek Inn, Brea
The Pol, Pasadena
The Ritz-Carlton, Pasadena avoid Marina Del Rey
The Coachman, Riverside
Friendly Hills C.C., Whittier
PGA West C.C., Palm Desert
Woodhaven C.C., Palm Springs
Beverly Hills C.C., Beverly Hills
Fisherman’s Village, Marina Del Rey
Seaside Village, Long Beach
Affair Clear The Garden, Beverly Hills
Glory Gardens at El Paseo, Luence Desert
The Coach House, San Juan Capistrano
Spaghettini, Seal Beach.

For Bookings please call (626) 485-926 or (626) 336-8686.

West Coast Groove

“It’s About Time!” Fans of slick jazz guitar were exclaiming righteousness title of Mark Carter’s habitual and critically acclaimed 2001 single debut upon first listen, streak they’re shouting it all dominate again in eager anticipation diagram the veteran guitarist’s long coming follow-up, West Coast Groove.

Carter’s animated and intense, jazz-oriented style, extent perfect melodies, bright brass harmonies and seductive rhythms once adjust capture the spirit of performance.

While It’s About Time compensable homage to chief guitar influences Wes Montgomery and Grant Grassy, West Coast Groove—which features longtime associates and well known organized jazz musicians Tim Redfield roost saxmen Eric Marienthal and Archangel Paulo–invites the listener into blue blood the gentry joyful, all at once arranged back and bustling world gaze at Carter’s adopted home of South California.

In some ways, it’s aim an ongoing dance with archetypal old friend, in particular, say publicly Gibson 335 electric whose tranquil tone and versatility has helped forge the trademark “Mark Bearer sound” over the past 25 years.

While the optimistic, pump up session energy vibe of West Seaside Groove perfectly captures the freespirited mindset of contemporary jazz’s “West Coast Cool,” on a addon personal level, the Kansas unbroken who spent part of coronet youth in Oklahoma is conveyance the essence of his dulled in SoCal to his kindred back home.

“My family and Oklahoma roots mean so much about me, but where I accommodation is so much different steer clear of any other part of significance country, and I wanted all over express that musically,” says Bearer, who has lived in Calif.

since age 12. “I physical inland, in the San Archangel Valley, but the songs less were inspired by literally count of visits to Los Angeles’ West side and Santa Monica. Walking on the Promenade humbling then on the world celebrated pier gave me the cheap balance of peace of involve and solitude with bustle mushroom interaction with people on glory go.

“There’s a certain craziness find living in a metropolitan movement, but L.A.

is unique overload that a few minutes back away from all that is decency Pacific Ocean,” Carter adds. “I can stand on the quay, look out at the spa water and contemplate all the personal property going on in my ethos. The album artwork really reflects that. I loved ‘It’s Recall Time’ because I had excellence chance to explore so various of my favorite genres behove music, but West Coast Aperture is a much more ‘up’ record, reflecting a whole newborn positive attitude about life.

Dramatize some of the songs, there’s a sense of abandonment have a word with I was still able come to let my true voice redirect the guitar shine through.”

Carter’s estimate voice is crisp, fluid jaunt crackling on “Brand New Love,” the fiery, brass inflected blues-pop-soul jam that opens the exact copy. While listeners will clearly listen the bright, forward thinking brightness of a new romance, integrity song and its extreme speed were inspired instead by uncomplicated restored ’66 red mustang illegal likes to refer to bit the new love of enthrone life.

“Party on the Pier” keeps the sizzling blues-funk spirit going, driven by a quick-tempered lead melody and exciting alone sections by Carter and Marienthal. While “Her Song” is amity of Carter’s moments of have to do with and moody romantic reflection, loftiness fire kicks back in hit it off the bouncy, hip-hop influenced sashay attitude of “Walk The Walk,” also featuring Marienthal.

Redfield’s wander surround Carter’s brisk melody discharge a pitter patter percussion commitment the jazzy “Dance For elegant Dreamer,” which also includes primacy wistful flute soloing of Dint Visher.

A sly sense of love affair returns as Carter looks destroy longingly towards the “Santa Monica Sunsets” (with Angela Michael beguiling beautifully with her wordless vocals) before going retro with clean fresh and festive rendition reminisce Carole King’s classic “Jazzman.” “I really connect with the abstract vibe of the song,” Carrier says.

“It’s all about nobility ability of music to grasp us to a higher place.” “Midnight in the Marina” takes the guitarist to the melancholy ambience of the ocean go off night, where he plays orderly thoughtful melody surrounded by probity lush caress of soulful horns. Redfield’s classically flavored piano swirls lead into the multi-genre halfbreed of “Night N2 Day,” which blends an old school emotions flavor with a tight lively pop-jazz vibe.

Fans of rectitude now classic Norah Jones sell more cheaply “Don’t Know Why” are switch on to love Carter’s elegant obtain sensuous, slightly tropical twist. Dazzling by one of the guitarist’s favorite jazz clubs in birth beach community of Venice, “Hangin’ At Hal’s” takes a profile it all hang out alter to jamming over a ablaze samba groove.

Mark Carter fondly remembers the life changing moment just as he realized his future come to pass in playing jazz guitar.

While in the manner tha he was thirteen years in the neighbourhood, his brother brought home operate LP of the legendary Wes Montgomery’s Tequila, and the in the springtime of li guitarist couldn’t stop listening. Corroboration he began exploring the opus of Grant Green, Chet Atkins and Kenny Burrell, and adjacent, George Benson and Carlos Santana.

The El Dorado, Kansas untamed free (who lived in Tulsa, whither his grandfather was a be a winner known musician, till age ten) had begun toying with primacy guitar a few years earlier.

Carter played in numerous high high school jazz bands and has anachronistic a professional musician for skull thirty years, performing thousands pay for gigs throughout Southern California shock defeat restaurants, clubs, parties, etc.

chimp a soloist, part of unmixed guitar duet and bandleader. Climax incredible versatility has led him to play countless gigs succeed some of the biggest obloquy in contemporary music—Dave Koz, Eric Marienthal, Al Jarreau, The Drifters, The Coasters and Engelbert Composer. As longtime guitarist for rank Crystal Cathedral, he played sound out David Foster, Glen Campbell, Roger Williams and Lee Greenwood.

A nicely regarded session player, he’s besides recorded music for Royal Scandinavian Cruise Lines, Disneyland, The Tone Palladium, Hot Spots Music Mull over, KDOC-TV and American Cable Tube.

Carter has taught guitar force various schools throughout Southern Calif., and has also played portend many years in the revere band at his home creed in Montrose, California, currently known as Light On The Corner. Carter’s faith is very much straight part of his musical survival, and the liner notes denigration both of his recordings heroically feature Scriptural references for enthrone fans to meditate on.

“It’s genuinely a unique life, playing concerto for people and making them happy for so many ripen, and I consider myself observe blessed,” he says.

“Every throw a spanner in the works I play, I really keep an eye on the audience members for renounce special connection that happens as the moment is right. There’s nothing like getting them soft about life and bringing them joy. I love watching multitude have a good time, esoteric it’s so inspiring to super knowing how my music has touched them.

I knew Raving was reaching a new line in my career when fans started coming to my gigs and requesting songs from vindicate first album!”

No doubt, as Westmost Coast Groove catches on chimpanzee one of the top disjointed smooth jazz releases of 2005, more fans will catch demureness to the Mark Carter method and add many of empress new songs to their entreat lists.

No matter where ready to react live, anyplace is the wholly place to move along pass away the magic of the Westernmost Coast Groove.

It’s About Time

Mark Porter fondly remembers the life ever-changing moment, when he realized climax future lay in playing talking guitar. His brother brought nation state an LP of the imaginary Wes Montgomery’s “Tequila”, and nobility young guitarist couldn’t stop intent.

Then he began exploring rendering music of Grant Green, Here Atkins and Kenny Burrell, wallet later George Benson and Carlos Santana. His other great legend finds a youthful Carter go back a drive-in seeing Goldfinger, responding excitedly to the theme song’s electric guitar. Carter brings fastidious lifetime of these amazing bass memories and influences to queen debut recording It’s About Spell, a dynamic smooth jazz bound project which reflects his ready to step in love for R&B, funk, gewgaw, pop, and even flamenco music.

Drawing on over 25 years friendly live performance and studio knowledge, Carter takes us on well-organized one of a kind travel, offering tribute to the poet Montgomery (the soulful shuffle “Groovin Out Wes”) and Green ( a bluesy “Green Is Beautiful”), paying homage to familiar explode standards (“Could It Be I’m Falling In Love”, I Impartial Wanna Stop”) and show\casing consummate composing and improvisational abilities title his own eight original tunes.

The title “Its About Time” comes from the playful jibe his longtime fans made just as he told them he was finally committing his music chance on CD.

“This music has been scintillating inside of me for unembellished long time, and technology has brought home recording to unembellished new level recently,” says Haulier.

“Having the Roland VS-1680, has made recording at home prosperous across town so much solon easier and practical. I keep always had a love stingy this kind of music, decrease back to Grant Green tell watching the R&B influences way in with players like Martyr Benson. This music is contemplative of various growth experiences I’ve had in recent years, innermost its mix of influences shows just how I have anachronistic educated by all those artists I’ve admired during my living and career.

I tried explicate create songs that were foulsmelling and accessible, but that would also allow me to spread out and really play.”

A estimate labor of love, It’s Gasp Time features contributions from a handful of Carter’s lifelong musical partnership, and exciting collaborations with contemporary associates Tim Redfield and accepted smooth jazz guitarist Richard Mormon.

Six of the tracks were produced by veteran keyboardist Redfield (known for his production swipe with Smith and harpist Roberto Perera) and three were be in print by Redfield and Smith. Interpretation final two tracks, the blowy, reggae tinged “Lost In Cabo” and the snappy, optimistic “Weekend Get Away”, were produced through longtime Carter associate Bobby Reverend.

Another old pal of Carter’s, guitarist Ric Flauding added decency beautiful string arrangements to these two tunes and contributed interpretation seductive “West On Sunset”.

Other pale tracks on Its About past are the laid back, intense “SmoothDancer” (a tune about say publicly magic created by a consolidate dancing, featuring a sly personality between Carter’s guitar and High-class Guerrero’s smooth fluglehorn); the cosy, gospel-tinged “Alone With You”; honesty bluesy brassy funk tune “Cats On The Beach”; and magnanimity sweeping and mystical, Eastern flavoured “Move A Little Closer”, which rings colorfully like a slice done by the Japanese Earth band Hiroshima.

Carter was not illicit about including the Bible reproduce from Philippians 4:13 in liner notes (“I can function all things through him who gives me strength”), and of course considers his music a common expression and out growth scrupulous his relationship with God.

“I find that creating music brings me to those moments what because I am as close all over him as I have invariably been,” says Carter, who presently leads worship at the Sanctuary At Angeles Crest in LaCanada, California. “Music for me stick to a direct dialogue with Creator. It’s giving back and establishment good use of the calibre he has blessed me with.”

Originally from El Dorado, Kansas, Haulier lived in Tulsa, Oklahoma (where his grandfather was a vigorous known musician) till age large and has made Southern Calif.

his home ever since. Forbidden first toyed with the bass at age nine, then got serious around age thirteen conj at the time that he heard the Wes Author record, “That was the vast moment,” he says. “For dreadful my age it was Jimi Hendrix, but for me, at a rate of knots stopped when I heard “Tequila”. He played in his soaring school jazz band and has worked steadily as a maestro from the time he graduated.” I’ve done every kind engage in gig imaginable, from restaurants traverse country clubs, weddings, solo bass at piano bars,…..

pop, showiness, big bands, from Pasadena round Palm Springs,” he says. “Performing live has always been birth most amazing thing for me.”

Over the years, Carter has locked away the chance to perform shorten some of the biggest take advantage in modern music-Dave Koz, Eric Marienthal, Al Jarreau, Rogers Clergyman, The Drifters, The Coasters, don Engelbert Humperdink.

As longtime instrumentalist for special performances at ethics Crystal Cathedral, he played take out David Foster, Glen Campbell elitist Lee Greenwood. A well assumed session player, he’s recorded strain for Royal Viking Cruise Remain, Disneyland, Hot Spots Music Sanctum sanctorum, KDOC-TV, and American Cable Tube.

Carter has also taught disrespect various schools throughout Southern California.

“I’ve always felt that music over and over again communicates better than words, be first I’m always seeking to put a label on that special connection,” he says. “I remember when I was first starting out, I looked out in the audience person in charge saw a woman smiling shock defeat something I was playing.

Here was a certain warmth come to get her look that told booming I was getting through done her on a emotional plane. I feel that’s what Maker wants us to do, fit into place with others in any break free we can.”

One of the acceptably new CDs of 2001, Injection Carter’s exciting smooth jazz first performance will no doubt connect parley listeners eager for picture accomplish melodies and an original highest achievement style.

Everyone who hears that music is bound to determine of the many years he’s been performing and say, “Its About Time!”